2 Years and The Night I Went Crazy
It is the two-year anniversary of my dad dying today. Yesterday was his birthday; he very nearly Mark Twained, my Pop.
A few days after he died, I found myself in rather a state. Processing not only the fact that he was gone and no longer here and no longer alive, but also, for the first time, examining the actual images in my head of him ill for that time. See, I had refused to allow for grief while he was still alive. Or at least I tried.
My theory was that if I grieved while he was still alive, for the fact that he was dying, I was cheating the both of us out of precious, limited time being together with him still alive. Also, I figured that steadfastly believing that he would be an outlier on the data and statistics (which I knew were not too good from the jump) and beat the odds and beat cancer might help convince him that this was the case, which might be the most helpful thing to making it happen. I would be his Dumbo’s magic feather and convince him that he could fly out of all of this. Power of positive thinking; all that jazz. When you’re facing a terminal disease, you go for what hope you can.
And that was it, too. While he lived, I hoped. I reasoned that every day spent alive is a chance and a hope that the next day too will be spent being alive. Each breath, I thought, is drawn with the hope that there would be another. So don’t abandon hope until it is truly and completely gone.
Well, then I saw him die, over four days with a sudden attack of pneumonia and a truly heroic maintaining of dignity throughout a process that might have otherwise taken it away. But I saw him die.
I wasn’t there the moment he did die , but in making the decision to go home and not be in the hospital, I knew that I was helping my dad to stop being alive, with as much control as he was afforded by the circumstances. I saw these breathing treatments and machines pushing air into him, keeping him alive and I saw the binary nature of it all.
Being alive is the one thing without shades of gray. Here, one moment, you are, and all of you that is is a complex latticework of interlocking systems and functions working together to produce the youness of you. There, the next, you are not and all those things are no longer systems and interactions. This that was my father’s body was now my father’s corpse.
It is a lot to handle.
But there it was, the moment to stop hoping that things would somehow get better. When a person is breathing, there exists in the future a probability cloud of possible outcomes for them. Some are more probable than the next, but still– while one is alive, there is always what statisticians call a non-zero chance that one may continue to be alive. It may be close to zero, but with breath, it isn’t there yet.
I found that no matter how small that space is, it is never so small that Hope cannot reside in it.
But I also found what it was to have that space close and have Hope exit and deal with the aftermath. I sat next to my father’s corpse in the living room I grew up in. This was when I tried to take the croc-tooth necklace from his neck. I had told him I didn’t want it until it no longer belonged to him. That was the time. And I failed.
I couldn’t do it. I tried but I felt like a ghoul and a grave-robber. My aunt Tammy helped me and I put it on and we waited for the people to come and take his body away.
I was okay that night. I mean, it was done. The next night, however? Not so much. I had these thoughts, half-formed and swirling and they wouldn’t let me accomplish simple things. I needed to get them out of my head and onto “paper” (well, a screen, in any case) in order to put them down. Like, actually put them down, so I didn’t have to carry them anymore. I sat down at 3:00 in the morning and I don’t remember typing what I typed. I found it the next day and it was like reading a letter from a stranger. Automatic writing, but not from the spirit realm to the corporeal, but rather from the subconscious to waking world. It was like the release of dam, or the relieving of a pressure of swelling on the brain.
I went crazy there so I could begin to go sane again.
These words came out of my fingers and I was able to sleep. I’m putting them down here because I want them to live in various places in the “cloud” of the internet so they don’t get lost. I’m putting them down here because, who knows? Scattered and disconnected though it is, it might help someone in a similar state, or some part might resonate and help shape a half-formed notion in another person’s head.
But also I’m putting them down as a chronicle of what grief really feels like, not what we back-date and retrofit it as.
It, like so much else, is a process. And here was the specific reality of where I was in that process, searching to put it into some kind of context, a few days in. I have edited only one sentence here, which I put in italics, as it is just too personal and private. But the rest, everybody else can have if they want. The full text of what came out of me that night is below.
The fault occurs when we mistake the machine for the animation, but the larger mistake is in assuming the animation is itself another machine. Time is not a collection of solid moments. There is a process with movement. There is also a sculpture that is formed from the movement. Movement of matter through time creates a sculpture of “what happened.” We can’t see the sculpture behind us but for sketches of memory. Sculpture still exists. Our record,though– memory,faulty: Courtroom sketch artists.
There is no present. Knife edge; the future is always a moment in front, past a moment “behind,” the present becomes an academic notion. Angels on pins, where is the “atom” of THE PRESENT? False division, maybe, breaking into 3 groups for clarity’s sake; nervous system’s wiring. Whay not 4? Why not one? Lines on a map, no5 lines on the ground. We’re wired to “see” a straight line of movement. What happens when you tinker with the wiring (acid, o2, grief, etc.)? Time displacement feeling first. “Time slowed down/sped up.” Connected feeling, all matter/time/whatever “are one.” Then you beome a guru and try to sell someone your moment of false enlightenment (partial) for lots of money or to feel important. No gurus. All gurus.
The body is a noun. Without the animation, the noun is a corpse, a collection of minerals and water in shapes and lumps. The animation is a verb, it isn’t a noun.The mistake is in naming it a THING and assuming a russian nesting doll model; the spirit as a thing hidden inside the thing of the body. That’s like Intelligent Design; when you get to the thing you can’t use your language tools to describe, you invoke “GOD DID IT.” Same fallacy. When you get to the verb-which-isn’t-a-noun (maybe it’s a process? Maybe it is like Flatland, a 3D object interfacing with a 2D perception matrix?) and you try to call it a noun, you commit the same laziness of the ancient cartographers who labeled unknown territory with the legend, “Here there be Dragons.”The noun and the verb work in concert to become something more than the sum of their two parts, but the noun is not a verb and the verb is not a noun. We are nouns, verbing. We are human, being. But we are not that exactly– the comma is just for emphasis to illustrate a point. The secret is that “human being” is one word which is both a noun and a verb at the same time. The magic spell of perception is not seeing the machine being a machine. When you glimpse it, there’s horror and revulsion. You try to forget it as a defense. Severed limbs break the spell for moment, but we label them “gore” and stop at that symbol. Same thing, though.Why aren’t more MDs mystics? Or more funeral home workers? Maybe they are. Creepy, though.Here is the wisdom, I think: Don’t become so enamored of the animation* that the machine is overlooked or dismissed as unimportant. They work together and you need to feed and build the machine to keep connected to the reason why the animation bothers animating– to perceive. To gather new information.(*Don’t become so enamored of the awareness of the animation and the machine as “separate,” or even as “separate but not separate.” Guru’s mistake: to fall in love with the sound of one hand clapping and do nothing but sit stupid and listen to it.)Interloquiter doesn’t matter. All fiction and imaginary numbers. Solve equation. Use Hermes. Use Aphrodite. Use what you want. Just not Jesus, for chrissakes. The joy of living is the adding of perceptions, comprehensions are perceptions,too. Not just sense-data. But that, too. All of it. The body is the machine, but the fuel or the fluid is oxygen. Need to mainatin use or get a disconnect. Exercise is sacrament, but sacrament is not an end to itself. These are places where people fall down. Bruce Lee: Don’t concentrate on the finger.BREATHING.Why do all mystic systems have breathing tricks? The machine maintains the connection to the animation through oxygen. More oxygen,more euphoria. Sports mysticism. Perfect motions, perfect swing, perfect basket, zen archery, marathon-high, breaking through “the wall.” Moments of connection.oxygen is our kind (earth’s kind) of perception media/conduit/fuel. Too much and the machine breaks, though. Too little, the machine breaks. But more for a time is a “journey,” a trip, etc. Why is there the oceanic feeling of connectedness with increased O2? To keep the spell running? Or evolution got to this point, where it is ALMOST enough to see more. Fish are zen creatures exclusively. Zen is overrated; we like it because it is different; like having a crush on someone else’s girlfriend.I think Pop saw more at the end. He talked about layers and 2nd skins and “the real me underneath”; this is 4 layers down, he said. Said I couldn’t understand, talked about shared identity, “you are me, it goes into me but that means it is in you, too.” Dismissed it as oxygen madness.I begin to wonder. Next breath, totally “mundane,” coherent thoughts about making arrangements/death benefits.(Note for personal sense of absurd: Cruel phrase.)I think he was maybe just using a cruder/more simplistic language set to try to frame his concept. Funny, lack of 02 gave him occassion to be flooded with it. Not funny.Is 02 the hidden ghost? Hidden under scientific label so we move on? I don’t know.Answer: So what? Joyfully participate in the dance of noun and verb; cultivate the verb to understand enough but not get drunk on understanding such that you stop participating in perceptions– interactions, love, pain, etc. But feed the machine. No, respect the machine. Don’t get fixated on it, but don’t look past it too much either; it is the connection between what the animation is trying to access. Don’t forget to enjoy.I miss my dad. I think I know where mystics fall down.
I thank you for your indulgence, here, constant-reader.

